With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
各种奇葩的情节和剧情
6分。勇敢传说真人版，游戏既视感，从塔顶一路杀下塔底，开挂的公主。乔伊金很卖力，吴青芸很潇洒，但武打设计虎头蛇尾，实在是入不了我们常年被武侠片洗礼的眼😂
优点：打击感上乘。
1、不用动脑的爆米花电影；2、棒子的片子真的是甩了国产几条街；3、李光洙的出现就是逗B的巅峰。6分。
公主像《疾速追杀》里的基努，一开场戴着手铐杀了两个男人，一个人突破一群士兵的围追堵截，直到2/3之后才有她的东方女师傅帮她。最后绝地反杀那一割实在太精彩了。值得所有女孩观看。
即使服化道再精细，特效再逼真，美帝这几十年来的青少年电影始终摆脱不了演技浮夸剧情弱智的标签
有2/3个笑点，其他的就没有了，不过韩国的电影行业确实很成熟
最惊讶的是导演以前是拍国内五毛网大的（此处五毛是真五毛），但是放在这部片子看似乎导演能力也不是很差。虽然动作设计也几乎没有，动作戏游戏感都很强，不过女性夺权这个主题贯彻的还是挺好。只是我以为迪士尼和hulu共同的项目，起码应该有一些像无敌2里吐槽公主的那些梗的实体化展示，结果也没有，就是一个b级血浆片的拍法而已。导演以前拍那些东西，起码应该做的cult一点也没做，唯一有点趣的是一个中世纪故事但是对城堡解构内饰的想象明显很东方，让人看出一种国内少儿科普书的感觉。（女二比女主有气质，还挺神似辛芷蕾）
即使服化道再精细，特效再逼真，美帝这几十年来的青少年电影始终摆脱不了演技浮夸剧情弱智的标签
我是纯属看长颈鹿。无厘头的片子很配无厘头的光洙，原来他也是励志要成为海贼王的男人。特效还不错，毕竟2022年了，其他嘛，看个热闹而已。
我觉得三星半吧，反正真的有被一直笑到，本来就是部喜剧，里面的无厘头搞笑剧情挺适合我的，还有里面的韩国明星都演技在线。
除了打戏密集还有啥？真的和游戏闯关一样，一路打打打，毫无剧情，就当看了部爽片，女主就是死不了的设定，主角光环，没血了就升级了，这设定太不真实了，中国师傅也弱了点，为了烘托女主吧
另外以后得避坑李光沭了，他确实没演技，还是去玩综艺吧。
基于之前我看过的一些片，我对乔伊金印象不咋地，但妹子拍这片可真是够拼的，看得出来亲自完成了不少动作，要点个赞
2022.3.5 Netflix
看个演员和动作戏吧 还是蛮喜欢韩孝周姜河那😘
金妹打起来还是有潜力可挖的，但情节太单薄了。
皇室夺权，叛变，简单粗暴从头打到尾，就是各种摆造型有点尬，爬楼的胖子倒是添趣不少。
一路开挂砍瓜切菜不掉血不掉蓝，游戏可以这么玩，电影不能这么拍啊
这个公主让我想到勇敢传说，只不过这部电影剧情非常简单，基本上就是公主一路开挂打打杀杀的动作戏，少女以一敌百壮汉这种剧情看着还是蛮爽的，曾经的童星乔伊金真的长大了，文戏武戏都能演
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