A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
还不错，小宝的台词与控场比以前好多了，但还是强于爆发，弱于隐忍，邵庄则一如既往的稳定
其实拍这种风格也不错，虽然更喜欢毛骗那种但是太难过审了，再拍下去估计主角团都得变成雷锋。
我一直以为是个游戏广告片，没想到看到最后竟然不是
有点冗长且无聊，后面的几个伏笔都呼应了。整体一般。
还有就是，都网络播出了，为啥还是那么多好人？《两杆大烟枪》《疯狂的石头》是有坏人的，让他们没有好下场不就行了
故事其实挺单薄的，盖里奇那一套有点腻歪了，不过在我心里这些人可以靠着毛骗的情怀吃一辈子饭，没办法，我欠你们的
【黑米影库】完成度不错的作品，稍有点浮夸的演技，但可以瑕不掩瑜！
还是优映那一套，强情节、快节奏、硬反转，这几乎成了他们的特色，但网大的体量造成了过于追赶进度，不仅失真，而且丢失了人文表达，私以为《杀不死》才是炫技与情怀均衡得最好的一部作品，以此来看，他们更适合做小体量的网剧而不是近乎于小品的网大
还是挺有意思，整体也很套路，有种英雄主义。
冲突和戏剧性场面太多了反而觉得观感不是很好。
还是挺有意思，整体也很套路，有种英雄主义。
有点冗长且无聊，后面的几个伏笔都呼应了。整体一般。
浩然哥怎么就没演过好人呢
手机流量有点多 浪费着玩 没念过书才打三星和三星以上。
很多人都是因为情怀看这部片子的吧？原以为是毛骗团队全体亮相，结果就那么几个
洒水车的音乐仿佛圣歌，五菱之光下来了十二个人。包哥帅众出马，基顿场面进城。
粉丝滤镜没办法
邱天电话掉厕所了，拿钱立刻去手机店买一个新的。end
1、毛骗三部曲的演员几乎都出境了，李洪绸一贯的伏笔跟反转风格，但是剧情上巧合过多，有些情节牵强了一些，关键是这次的反派设定太弱了；
“如果中国有合理的分级制度他们一定能有更好的作品”，就像很多人远远没到拼天赋的地步，很多创作人也远远没到谈创作被禁锢的地步。这个让真正优秀创作人倍感无奈的现状，如今成为了很多三教九流的遮羞布。所以真正有资格说这句话的创作者真的很少，而这个团队无疑是其中之一。
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