Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
在后疫情背景下，用AI“kimi”的概念讲述了一个媒介焦虑、女性焦虑的故事，剧本、拍摄和表达很流畅，出门不出门成为女主的改变，而第一次出门的契机成为核心主题——女性互助与媒介反叛，是一部与时代同轨又反扣经典的好作品。
没有做特别深度的探讨，就是一部爽快的剧情片！
有问题，别人帮不上忙，就自我克服，最酷的女孩。
两年的疫情已经整得人够抑郁的了，再看疫情下的抑郁症日常，太不舒适了，拍成《后窗》也没用。
Another Covid and social media +AI inspired psychological thrilled film.
当Doja Cat通过Siri发现Cook搞的小九九，最后的反转太好莱坞了，还不如一黑到底
3.5分。确实有点网络版《后窗》的赶脚，前半段觉得女主有点不近人情，虽说抵死不愿出门这点和我比较有共鸣吧（不过有点纳闷难道她的头发也是自助染的还能染这么好？），从终于出门后就变得精彩起来，还是蛮紧张的，最后的反杀很酷，最欣赏的一点就是她知道补枪，谁能想到一个见人就躲贴边走的小社恐杀起人来反倒这么镇定哇哈哈。手机定位和远程开机想想还是挺可怕的，这个时代真是全透明无隐私没处躲没处藏，哎……
酷酷酷！全程无尿点 节奏把握的很好 结尾太爽了！喜欢女主的蓝发
一般般吧，气氛没有营造好，转折也没啥心意。流水线产品
没玩出新花样，以为会是一个不同的结局，故事粗线条，不精致，几乎每一个后续发展都能猜到。
Story of a messed-up heroine
把一个很好的创意玩得这么无聊也是一种能力。
后窗，姐妹情仇，窃听大阴谋，等到天黑。”……其实拍的并不好
没明白套了这么一个壳，他想讲什么。决斗搞得有点意思，用钉枪杀人的想法不错。
斯蒂文索哥波哥的影片有各种可能性
2022年2月12/星期六/正月十二
我可能先入为主，因为一头蓝头发进去看完了，但是看完也就这样，没有太多惊喜，倒是女主的蓝头发给我留下深刻印象，that is all
冲动四星 让我冲动
最后落到商业片处理上感觉就just so so了吧，但仍然感谢索德伯格给我们社恐er发声哈哈
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