This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.
comments from imdb:
This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.
This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.
The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.
I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.
15 out of 10 and then some. 10/10
Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.
And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.
The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".
Intelligent, emotional, tragic and real, this is an absolute gem. 9/10
作为动画感觉有尽力做的暗黑一点了，没有很好笑但依旧很爱亚当斯一家啦
和第一部比差远了，这么好的IP，最后造出来个毫无感情的公路动画。而且，个别画面真的有让孩子和我感到不适。
叫你模仿，不是超越。毕竟是韩国电影，还是变态很多！
互相翻拍，卧槽，警察好弱智，黄政民一人撑场子啊，政民哥威武，鸡血满满
法治国家就是好啊，漏洞被人利用了，遭受了损失，还要承担这份损失，比如ATM机自己出错，给钱，就是银行承担责任，那些排队利用的人，得利。优惠卷还真是个好东西啊。女主是不是有点对眼儿？？哈
15年了，从《杀人回忆》开始到现在韩国人还是不相信警察，全靠绑匪内讧黑吃黑和人质自己的力量自救逃生😂公权力的丧失真是一朝失去数十年难追回啊😂看完剧情之后也没啥兴趣补《解救吾先生》了
大概看了10来分钟就受不了来，这哪还有啥哥特味？就像你点了酸辣粉给你上了杨枝甘露，赶紧关了看两集重口的黑袍纠察队.劣迹解解腻。。
用超市优惠券带来的快感来冲消无爱的丈夫和无法拥有小孩的负面情绪，继而倒卖优惠券，获利数百万只坐牢数月，最终开启新生活，赢得人生！虽是真事改编，依然非常精彩！
看完第二部想起来为什么没看第一部，人设太丑了！青春期女儿一直想搞死猪一样的弟弟，哪想到猪一样的弟弟却有蟑螂的生命力，最后更是真的找了女猪做女朋友，虽然没能搞死弟弟，却是真的把恶心的舅舅变成了巨型章鱼，也说不清触手恶心还是舅舅本身更令人反胃。我也不知道怎么就看完了，甚至都没有拿过手机。
看了原型资料其实改的点抓的挺准的，但是剧情推进实在太不走心太套路了。成也剧作法败也剧作法。
头一次见这种以现实人物及事件为原型同时改编形式则选用“与现实脱节”式纯幽默浮夸喜剧风格的电影。
隔三差五看看好莱坞的喜剧片可以感受一下水深火热的美国生活，大企业你得像某宝某猫这样支棱起来啊，印这种没有科技防伪的纸质优惠券活该被薅把大羊毛，你得满减叠加复杂运算二维码组合券弄的消费者算不过来又觉得自己占了便宜才是会做生意啊😊
节日电影 像road trip宣传片 没之前的好看 暗黑哥特的元素应该再多点
看第一部动画片不明白为什么说“惨遭”迪士尼化，看完这部彻底明白了。就是说编剧你觉得这合理吗？你是不是还挺骄傲的？
中国不太可能有这种把犯罪描写的实现自己人生意义的电影。全程看的蛮轻松的，每个角色都有鲜明特点，很贴近美国大众生活。里面还能看出美国法治很健全，监狱环境还挺好，高收费律师的作用真的很大~
把犯罪片拍得轻松幽默且没有荤段子 真的不错
把一个被丈夫漠视的家庭主妇和三流屌丝销售员姐妹靠造假优惠券翻身致富的欺诈故事拍的很有意思，我看到女性自我掌控生活的力量，爽感喜感兼具，别杠所谓的三观和假正义
又是一个把经典好IP给改毁了的作品，果然没有经典原作做支持就是不行？不能因为大家都爱Wednesday，就直接把一家子的智商都弄下线然后套个迪士尼剧情吧？整个亚当斯一家已经完全不像亚当斯了，建议主创团队好好补习亚当斯一家的价值观。
故事的发生就很直接，大明星被绑架了，然后疯狂逃亡，一边是警察在追击凶手，动作戏港味挺浓的，一边是咖啡店被绑架老板还有实习生。
剧情没什么新意，暗黑科学家哥特少女星期三好对我的胃口哈哈哈！
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