James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
故意打一星的脑残们建议还是回家去看手撕鬼子，那个符合你们智力上限
吉沢亮竟然一点都不棒读 听着比尖叫鸡粗粗舒服多了
但讲真，国产恐怖片的崛起可能还真得靠这些荒腔走板的网大起势。
ロディ开车，久的衣服晾在外面的时候，车内画面应该很牙白x
套路，但是动作场景爽得不行；期待不高，这样就行了。
剧情有bug 后半截也有泪点 配角的化妆太次 整体编剧还是用心的
可比以前的国产惊悚好多啦，
嗐 看弹幕我还以为水怪是韩栋变的呢 害我白期待姐弟伪骨科了
假……
只想说，除了主角一个能打的都没有。同仇敌忾出来想靠勇气战胜水猴子，可是这么多人一点谋略策略都没有。好歹拍出点精彩的血性呢，结果啥也没有。一船人没有各自的的特点，要这一船打怪人干嘛。
个人感觉还不错的国产片，虽然是网大，但是不亚于某些院线大片，所折射出来的东西也蛮值得咀嚼的，人心的恐怖甚于鬼怪啊。蛮有良心和诚意的一部作品，我表示支持。
比1好看很多，虽然逻辑还是不太通（摊手）.
看完後疑惑的是一開始提到的第一位有個性的發光的嬰兒...一個金光的嬰兒在托盤上,周圍是長槍圍繞...看起來有魔法聖嬰的感覺?
第二部成了咕噜中国行，王真儿脸太大了，故事和特效谈不上好看，只能说网剧在进步吧
中规中矩的亲情温情系恐怖片，最后都是坏人作祟，都是人性贪婪、愚昧，都是阴谋，甚至有畸形元素，就是不能有阿飘。恐怖气氛安排的尚且可以，还有那么一点悬疑感，不过千万别抱多大希望，瞅两眼就得了。
属于典型的，一本正经胡说八道的影片，浪费观时。另外，女主的胶原蛋白好像打的过多了。一脸的浮肿的样子。
不愧是斩获了全球超高票房和口碑的剧场版，小英雄和骨头社口碑盈利双丰收哈哈哈～
可比以前的国产惊悚好多啦，
未免太过理想化，剧情逻辑比较差，一星给画风
氛围感不错，但故事较为简单，且节奏不够松弛有度，查案为神兵天降
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