The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
有好几年没有这种诙谐生趣的科幻片了。虽然细枝末节太多,但是完成度很高。
3.5吧,这类一开始就能知道结尾的电影,需要更好的气氛烘托才能成功
看的又害怕又欢乐。欢乐因为不思考,害怕因为想得多。精神分裂观众看神经病导演,对路子。
把诺曼底登陆美化成二战转折点我就要吐了 垃圾
热内的电影必须四星起。
有点惊悚又有点无厘头的科幻剧情,what if...
绞肉行动对西西里岛登陆有重要作用,影片拍的也很细致,起因过程结果,还原历史了,或者说给历史一个说明。不过好像绞肉行动被发现了,只是受反希特勒群体遮掩,为使希特勒倒台失败,才得以继续实施。戏不够爱来凑,加感情戏,看着有点尴尬。
后疫情时代的浪漫孤岛,AI崛起前的美丽幻想
不敢相信这是热内的电影 流媒体到底祸害了多少导演了啊??
法国果然是喜剧天花板,满屏幕的哲学思辨问题让人难以自拔
虽不枯燥,但也没有什么出彩的地方,中规中矩把故事讲了,感情戏完全没必要。
机器人片,有点黑镜那味,但是远不如黑镜前几季
6.5分 2022.02.12 高色彩饱和度
看完后才发现电影名叫巨型漏洞而不是巨型漏斗。。。
谁想到2202年了 战云密布的欧洲甚至世界 如此的与1936相似
多年不拍片的热内大叔,居然拍了一部新类型——科幻段子电影。把自己的前作致敬了遍。有几处笑点还挺奇怪,然而在反乌托邦的大背景下,整体比较疲软。可能是疫情影响吧,表演空间太捉襟见肘了,各种露怯,另外导演曾经钟情的脏奶油色,在数字时代,怎么看怎么腻。
改信的情节简直是当下社畜的映照,感情戏略多余,把节奏打乱了又没有发挥好塑造人物形象的作用。
很多地方莫名其妙,但也算是一种特别的反讽喜剧电影
法国人真的很喜欢拍这种很有意思又没意思的电影。
埋梗太多了,有点疲劳
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